Divya's tryst with Bharatanatyam began at the age of 5. Her love for dance gradually changed to deep rooted passion and serious pursuit. A student of Bharatanatyam for 20 years now, Divya hones her skills as a soloist under the guidance of Guru Dr. Soundarya Srivathsa. Divya has also had the privilege of being rigorously trained in her formative years under Karnataka Kalashree Sri Kiran Subramanyam and Smt Sandhya Kiran.
She had the opportunity to explore the nuances of Kathak under renowned dancing couple – Karnataka Kalashree Sri TD Rajendra and Smt Nirupama Rajendra. During the training tenure under them, Divya has extensively performed with the Abhinava Dance Company as a principal dancer.
Fluid grace, taut lines, neat Nritta, maturity and finesse in expressions mark Divya’s performances. Commitment and discipline personified, her deep understanding of music helps her bring out the intricacies in tough rythmic patterns as well as the nuances of Abhinaya. Divya’s quest to further her creativity reflects in her choreographic ventures.
A graded artiste of Doordarshan and a recipient of the "Gutty Vasu Memorial Prize" from Music Academy Madras, "Natyasree" title from SABHA at Kuwait, "Nalanda Nritya Nipuna" from Nalanda Dance Research Centre Mumbai, "Nritya Varshadeep" and "Swaranand Kala Puraskar" awards, Divya has performed as a soloist at many coveted platforms and reputed dance festivals all over the country.
" ... With her perfect Tala Laya, she captured the attention of the Kala Rasikas. She won the appreciation of the connoisseurs with her Anga Shuddhi, execution of quick paced Jathis and proficiency in Abhinaya."
(Prajavani - Mangalore Edition)
"...graceful, with her good Nritha and Nritya, she caught the attention of the assembly. Her performance is worth watching."
- Mysore V Subramanya
"...The straight back, the hip joint controlling and dictating movement, the shoulder level and the torso inclines are some of the finer aspects that gave quality to her movements...."
- Dr. M Suryaprasad
" ... All performers displayed elegant poise and expertise. The artiste that stood out for me in her soulful presence, nuanced abhinaya and a quiet ownership of the Bharatanatyam vocabulary was Divya Ravi."
- Sanjukta Wagh (Narthaki.com)
"...Divya’s prowess and mastery over Nritta, Nritya and Natya came to the forefront in the delineation of the Varnam. The Jathis were executed with immaculate precision. The Araimandi poses with delectable Tattu Mettus were a delight to watch, for the connoisseurs and critics alike. Divya’s dance was full of grace and her Angashuddham and Adavushuddham were richly transparent."
- A Boothalingam (Narthaki.com)