Divya Ravi is a Bharatanatyam performing artiste and choreographer. Fluid movement vocabulary, finesse in expressions, and commanding stage presence, mark her performances. Commitment and discipline personified, her deep understanding of music helps her bring out the intricacies in tough rhythmic patterns as well as the nuances of Abhinaya. Divya holds a graduate degree in Electrical and Electronics Engineering and MBA in Marketing, and navigated a career in Branding and Communications, while evolving as a sensitive artiste and a respected soloist.
Divya’s solo choreographic ventures are driven by the quest to communicate the essence and relevance of Bharatanatyam to the modern-day audience. She has conceptualized, scripted and choreographed unique and thought-provoking solo Bharatanatyam features - "MANJARI - Mystique Fragrances" (2015) – a repertoire that delineates the mythological, philosophical and spiritual significance of flowers, “SARVASYA – Quest For Oneness” (2019) – a feature that explores the various ways of defining and connecting with the Supreme Force, “POEMS OF LOVE” (2019) – a collaboration of Abhinaya, Vocals and Multilingual Poetry, “NARMADA” (2017) – a feature on River Narmada, and “SAARINI” (2019) – a feature on the holy Ganges.
A graded artiste of Doordarshan, Bangalore and empaneled with the Ministry of Culture for Festivals of India Abroad, Divya is a recipient of the "Gutty Vasu Memorial Prize" from Music Academy Madras, "Natyasree" title from SABHA at Kuwait, "Lopamudra" title from Bhavam Nrityalaya, Bangalore, "Nalanda Nritya Nipuna" from Nalanda Dance Research Centre Mumbai, "Nritya Varshadeep" and "Swaranand Kala Puraskar" awards. Divya has performed as a soloist at many coveted platforms and reputed dance festivals all over India and her international performance-tours include her footprints in the UK, Singapore, Sri Lanka, Kuwait, Hong Kong and China. She also regularly conducts Workshop Demonstrations with SPICMACAY, endeavoring to take the arts to schools and colleges in rural India.
Divya's sound technique stems from rigorous formative training under the guidance of Sri. Kiran Subramanyam & Smt. Sandhya Kiran, Dr. Soundarya Srivathsa, and mentoring in Abhinaya under Smt. Bragha Bessel. She is also intensively trained in the Navarasa Sadhana actor training module under Sri G Venu, and continues to explore her artistic pursuits in the UK, training with Sri. Mavin Khoo.
" ... With her perfect Tala Laya, she captured the attention of the Kala Rasikas. She won the appreciation of the connoisseurs with her Anga Shuddhi, execution of quick paced Jathis and proficiency in Abhinaya."
(Prajavani - Mangalore Edition)
"...graceful, with her good Nritha and Nritya, she caught the attention of the assembly. Her performance is worth watching."
- Mysore V Subramanya
"...The straight back, the hip joint controlling and dictating movement, the shoulder level and the torso inclines are some of the finer aspects that gave quality to her movements...."
- Dr. M Suryaprasad
" ... All performers displayed elegant poise and expertise. The artiste that stood out for me in her soulful presence, nuanced abhinaya and a quiet ownership of the Bharatanatyam vocabulary was Divya Ravi."
- Sanjukta Wagh (Narthaki.com)
"...Divya’s prowess and mastery over Nritta, Nritya and Natya came to the forefront in the delineation of the Varnam. The Jathis were executed with immaculate precision. The Araimandi poses with delectable Tattu Mettus were a delight to watch, for the connoisseurs and critics alike. Divya’s dance was full of grace and her Angashuddham and Adavushuddham were richly transparent."
- A Boothalingam (Narthaki.com)